Cinema publicity programme: New Cinema Club, London, April-June 1971

The programme opens with a description of the Club's work of introducing films unscheduled for public presentation. They present underground, international experimental work. The programme also discusses the resignation of John Trevelyan from The British Board of Film Censors, the Wet Dream Film Festival in Amsterdam and a symposium on Cinema in Social Confrontation that took place in Belgrade. The programme advertises the book 'Alternative London' (Saunders 1970), the International Film Guide 1971 (edited by Peter Cowie), the NFT showing of Soviet films from the 1920s, and the Oz Benefit Film Festival, Cannes Comes to The Ghetto at the Electric Cinema Club. The films on display this season include 'I am Curious - Yellow' (Sjoman 1967) , 'Outrages' (Lethem), 'Eyeopeners' (Nelson), 'Bongo Wolf's Revenge' (Baker 1970), '1A' (Wilson), 'Pharaoh' (Kawalerowicz 1964), 'The Night of the Bride" (Kachnya 1967), 'Hotel for Strangers', (Masa 1967), Rochlin's 'Vali' (1967), 'Dope' (1968), 'A Married Couple' (King 1969), four films depicting 'Acts of Love', 'Robert Having his Nipple Pierced' (Daley 1971), 'Times For' (Dwoskin 1971), 'Scorpio Rising' (Anger 1963), 'Relativity' (Emshwiller 1969), Warhol's 'The Chelsea Girls' (1966), 'Bike Boy' (1967), and 'Lonesome Cowboys' (q969), 'Slow Run' (Kardish 1968), 'Mare's Tail' (Larcher 1969), 'Diary of a Shinjuku Thief' (Ōshima 1968), 'The Best Age' (Papousek 1968 ), 'Danish Blue' (Axel 1970), and 'Action' (Baker 1970)

Part of the Bill Douglas and Peter Jewell Collection