Scholarly but conversational examination of the films of Alfred Hitchcock, Orson Welles and Jean Renoir, written by Irving Singer, a professor of philosophy and analysing topics such as their presentation of reality, interest in themes such as the mythical past and their use of symbols and devices to engage emotionally with film audiences.
|Country of origin||USA|
|Related people||Irving Singer (Author)|
|Alfred Hitchcock (Subject)|
|Orson Welles (Subject)|
|Jean Renoir (Subject)|
Part of the Bill Douglas and Peter Jewell Collection