Wide-ranging collection of essays focusing on aspects of experimental film in the 1970s, edited by Sue Clayton and Laura Mulvey. Contents: Part One: Critical contexts for 1970s experimental filmmaking - 1. 'Semiotics and 1970s British film culture' by Nicolas Helm-Grovas; 2. 'Listening to women' by Sophie Mayer; 3. 'Political contexts of 1970s independent filmmaking' by Steve Sprung and Anthony Davies; 4. 'Platforms of history: Brecht and the public uses of radical history in 1970s independent cinema' by Colin Perry. Part Two: Infrastructures, technologies and 1970s experimental filmmaking - 5. 'Audiences: not an optional extra: artists' distribution practices from the London Film-Makers' Co-op to Lux' by Julia Knight; 6. 'Engaging material specificities: aesthetics and politics in the 1970s' by Kim Knowles; 7. 'The technologies and practices of 1970s community video in the UK' by Ed Webb-Ingall; 8. '"Whose history?' Feminist advocacy and experimental film and video' by Lucy Reynolds. Part Three: Practices, aesthetics and 1970s experimental filmmaking (the 200 avant-gardes) 9. 'A whole new attitude: the London Film-Makers' Co-op in the decade of structural/materialism' by Steven McIntyre; 10. 'The "salvage" of working-class history and experience: reconsidering the Amber Collective's 1970's Tyneside Documentaries' by Jamie Chambers; 11. 'Television interventions: experiments in broadcasting by artists in Britain in the 1970s and 1980s' by Catherine Elwes; 12. 'Britain's Black filmmaking workshops and collective practice' by Daniella Rose King. Part Four: Case studies - 13. 'Views of "River Yar": reconsidering Raban and Welsby's landmark landscape film' by Federico Windhausen; 14. 'Between seeing and knowing: Stephen Dwoskin's "Behindert" and the camera's caress' by Rachel Garfield; 15. "Rapunzel, let down your hair" by Amy Tobin; 16. '"On her devolves the labour": the cinematic time travel of "The Song of the Shirt"' by Kodwo Eshun. Part Five: Snapshots from the 1970s - 17. 'Memories of The Other Cinema' by Nick Hart-Williams; 18. 'Organising for innovation in film and television: The Independent Film-Makers' Association in the long 1970s' by Simon Blanchard and Claire M. Holdsworth; 19. 'The International Forum on Avant-Garde Film at the Edinburgh Film Festival, 1976: interview with Lynda Myles' by Kim Knowles; 20. 'The Workshop Declaration: independents and organised labour' by Claire M. Holdsworth; 21. 'Campaigning for innovation and experiment on Channel 4' by Claire M. Holdsworth and Rod Stoneman.

Item number 93898
Category Book
Type Experimental Cinema
Language English
Country of origin UK
Related people Sue Clayton (Editor)
Laura Mulvey (Editor)