Double issue which features: An Address to Danish worker actors: Bertolt Brecht The Festivals : Berlin, Cannes, Moscow, Venice Preston Sturges : NEL KING and G. W. STONIER Current film guide Details on current productions in Italy and France Suddenly, Last Summer Articles: Georges Sadoul, 'Notes on a new generation' Jonas Mekas, 'New York Letter' David Robinson, 'Look back in anger' Gene Moskowitz, 'The tight close-up' Luchino Visconti interviewed by J. Doniol-Valcroze and Jean Domarchi, including sections about 'Bellissima', 'La terra Trema' and 'Senso' John Gillett, 'The Survivors' Grigory Kozintsev, 'Deep Screen' Penelope Houston, 'Conscience and comedy' Richard Hoggart, 'We are the Lambeth Boys' Richard Roud, 'Face to face: Andre Bazin' Russell Taylor, 'Encounter with Siodmak' Derek Hill, 'Defense through FIDO' Film reviews of : Ashes and Diamonds : Peter John Dyer The Face: Derek Prouse North by Northwest: Penelope Houston Middle of the Night: Rod McManical Les Cousins: Lous Marcorelles The Nun's Story: Kenneth Cavander 'Le Amiche' by Michelangelo Antonioni: Richard Roud Anatomy of a Murder: Kenneth Cavander The Scapegoat: David Robinson The Devil's Disciple: Brenda Davies The Rabbit Trap: Derek Hill Some Like It Hot: Peter John Dyer Ask Any Girl: Penelope Houston Stakeout on Dope Street and The Young Captives: Peter John Dyer Refuge England and Enginemen: Derek Hill Power Among Men :Robert Vas Book reviews: The Slide Area: Dilys Powell My Story and First Person Plural: Philip Oakes Notes of a Film Director: Jay Leyda The Technique of Film Animation: Richard Williams Theatre Arts Publications in the United States, 1947-1952: Dorothy Butler Images from Fellini's 'La Dolce Vita' Cover features Sidney Poitier in Porgy and Bess
Item number | 24247 |
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Category | Periodical |
Type | Criticism/History |
Dimensions | height 273mm, width 213mm |
Language | English |
Country of origin | UK |
Related people | Penelope Houston (editor) |
Michelangelo Antonioni (film director) | |
Luchino Visconti (film director) |
Part of the Bill Douglas and Peter Jewell Collection